"Fluxus cannot save the world ..." - join our talk at 32c3 in Hamburg
Submitted by leo on Thu, 2015-12-24 10:07It´s this time of year again and the Chaos Computer Club invites ‘all galactic life forms’ to Hamburg, Germany. Join our lecture about Fluxus cannot save the world on Day 3, December 29th, at 2pm at Saal 6.
Art as Experience - How can an amateur (Fluxus artist) reconcile John Dewey and the 'Vienna School'? - by Ben Patterson
Submitted by leo on Sat, 2015-10-10 17:42Die Abteilung Interface Cultures der Kunstuniversität Linz lädt zum
dieangewandte-Artist Talk: Ben Patterson (Musiker, Künstler, Fluxus-Pioneer) in der Klasse für Digitale Kunst, 19.1.2012
Submitted by leo on Sat, 2013-10-19 13:43Public Lecture
19. Januar 2012, 14.00 Uhr bis 15.30 Uhr
Angewandte, Abteilung für Digitale Kunst, Expositur Sterngasse 13, 1010 Wien
Benjamin Patterson
"Make a Salad" - Art Historian Petra Stegmann lectures on Fluxus Scores at the Free Class, Academy of Fine Arts Vienna
Submitted by leo on Thu, 2011-12-15 16:33As an art historian, Petra Stegmann has been researching into diverse aspects of the Fluxus legacy during recent years.
Future Fluxus in Coded Cultures
Submitted by leo on Wed, 2011-09-28 16:05Future Fluxus - The alternative Net we need and how we can build it ourselves
Date: Thursday 29.9.2011
Location: Urania, Vienna
Starting: from 7 pm, open End, afterwards @ LABfactory –, Praterstrasse 42 - Vienna Experimental Lounge
FUTURE FLUXUS - IS FLUXUS DEAD? - A Performance Symposium about the Fluxus Movement
Submitted by leo on Mon, 2011-05-30 14:36Future Fluxus! Is Fluxus dead? - Ist Fluxus gestorben?
Please scroll down for the German version
04 June 2011, 10am - 11pm:
Performance Symposium on the Past, Present and Future of the Fluxus-Movement
Location 10am-10pm: 3raum-Anatomietheater, Beatrixgasse 11, 1030 Wien (http://3raum.or.at; to the map)
Location after 10pm: v.esch - Verein für Raum und Form in der bildenden Kunst, Schikanedergasse 11, 1040 Wien
Fluxus means change among other things. The Fluxus of 1992 is not the Fluxus of 1962 and if it pretends to be - then it is fake. The real Fluxus moves out from its old center into many directions, and the paths are not easy to recognize without lining up new pieces, middle pieces and old pieces together. Dick Higgins
Electropera Act 6: Operabil transcode - Jaap Blonk, Margrit Rieben, Michael Saup on 04 June 2011
Submitted by leo on Mon, 2011-05-30 13:08On Saturday, 4th of June, Transforming Freedom is inviting you to a long day of lectures, presentations and performances - at 3raum-Anatomietheater, Beatrixgasse 11-17, 3rd destrict of Vienna, free entry until 7.30 pm
Electropera 6 - Operabil transcode: Dr Voixoids Next Move
* Art's Birthday 2011 *
Submitted by Volker E. on Mon, 2011-01-17 15:08Future Fluxus and WORM present:
0-0-0-0- Arts Birthday 2011 -0-0-0-0
“Fluxus means change among other things. The Fluxus of 1992 is not the Fluxus of 1962 and if it pretends to be - then it is fake. The real Fluxus moves out from its old center into many directions, and the paths are not easy to recognize without lining up new pieces, middle pieces and old pieces together.”
Dick Higgins
“Filliou’s invention of Art’s Birthday is wonderfully absurd and humorous in the typical Fluxus tradition of serious fun.”
Robert Adrian
TODAY
Where: Raum D, MQ, 1070 Wien
Open Doors: 6 PM
Beginning: 7 PM
End: around 11PM
Afterparty @ Open Office by Transforming Freedom & tagr.tv
(opposite the Dschungel / MQ) or elsewhere (with the kunstradio party people, s.b.)
q/Talk - Opferschutz oder die Angst vor dem mündigen Bürger. 30.11.2010
Submitted by leo on Tue, 2010-11-30 01:42Empfehlung beziehungsweise herzliche Einladung zum q/Talk:
Opferschutz oder die Angst vor dem mündigen Bürger
Amtliche Stopptaferlaufsteller fordern Listen des schädlichen und unerwünschten Content.
"Gurskyesque: the Web 2.0, the end of compulsive originality, and the return of the imitating artist", lecture by Wolfgang Ullrich
Submitted by leo on Mon, 2010-11-15 13:52Lecture by Wolfgang Ullrich: “Gurskyesque: the Web 2.0, the end of compulsive originality, and the return of the imitating artist”
